Homeostasis. Are you familiar with this term? Here’s the
definition: a state of equilibrium or a tendency to reach equilibrium. People
strive for this in our lives because no one wants to be out of control or in
pain, or whatever it is that takes us out of balance. Makes sense. It’s
commendable, even, but our characters cannot have a homeostatic existence. If
they do, our writing is dry and without tension.
definition: a state of equilibrium or a tendency to reach equilibrium. People
strive for this in our lives because no one wants to be out of control or in
pain, or whatever it is that takes us out of balance. Makes sense. It’s
commendable, even, but our characters cannot have a homeostatic existence. If
they do, our writing is dry and without tension.
Let me explain. Because writers are human and like peace,
composure, and balance, we tend to help (let?) our characters have that as well.
A threat approaches in the story and we instinctively try to squelch it. We
come up with a quick fix and since we’re the writer, we enact it. There.
Problem solved. Except, now we’ve unplugged the hole and drained out all the
tension that our story inherently tried to gain.
composure, and balance, we tend to help (let?) our characters have that as well.
A threat approaches in the story and we instinctively try to squelch it. We
come up with a quick fix and since we’re the writer, we enact it. There.
Problem solved. Except, now we’ve unplugged the hole and drained out all the
tension that our story inherently tried to gain.
I believe one of the reasons writers do this is because they’re afraid of not keeping
things straight. That reasoning might fit the SOTP (seat-of-the-pants/non-outlining)
writers. If they solve the problem quickly, they don’t have to remember to tie
up the thread. Solution: make yourself a note and get back to it later.
things straight. That reasoning might fit the SOTP (seat-of-the-pants/non-outlining)
writers. If they solve the problem quickly, they don’t have to remember to tie
up the thread. Solution: make yourself a note and get back to it later.
Another reason is we’d rather not feel tense. I was watching a TV show the other night and I noticed how tense I felt. Crazy. It was just a television show. But I wanted to avoid the tension playing out on the screen. Same is true in our writing. We’d rather avoid the tension we’ll feel as we write the scene. But a good story, one that shows the contrast of light against dark (Christian fiction), must include some darkness. Don’t avoid it. Include it. Then the ultimate breakthrough will be all the more impactful and emotional.
The best writing involves writer vulnerability. Writers must make themselves vulnerable, dig deeply into their own painful or stressful times, and include those elements on the page in order for readers to: 1) relate; 2) sympathize; and 3) stay engaged. Another reason not to return things to calm too soon.
A story without tension is not a (readable or enjoyable)
story. We must have tension.
story. We must have tension.
As you’re writing your story, catch yourself if you find your
character solving a problem too quickly. Let problems linger. Let your
characters suffer. Don’t bring them back to a calm state too quickly. In fact,
let the tension escalate by raising the stakes. Let things get worse. Let
conflicts go unresolved for a while. Readers will love you for it as they keep
turning pages.
character solving a problem too quickly. Let problems linger. Let your
characters suffer. Don’t bring them back to a calm state too quickly. In fact,
let the tension escalate by raising the stakes. Let things get worse. Let
conflicts go unresolved for a while. Readers will love you for it as they keep
turning pages.
