Tactical Tuesday: Advice for Self-Editing

The questions were asked? Does deep point of view (POV) only involve the reader’s sense of sight? How does the writer successfully show sound, taste, smell and touch/feel? Deep POV is a total immersion of the reader into the character. Therefore, all five senses play...

Tactical Tuesday: Advice for Self-Editing

Would you like to make an editor’s heart sing? One way to do it is to pay attention to the little things: commas, periods, question marks, em-dashes, ellipses, semicolons, colons, and another punctuation mark called the paragraph. I know what you’re thinking. I’m...

Tactical Tuesday: Advice for Self-Editing

Realism is important in fiction, especially when we talk about plausibility. For example, a plot should always be plausible and realistic. In our everyday lives there are laws and rules that prevent us from presenting a Pollyanna existence for our characters. Always,...

Tactical Tuesday: Advice for Self-Editing

A disturbing trend has begun in the world of fiction. I have to admit that I do not read much secular work, so the novels in which I have noted this newest technique have all been in CBA. Back story is something every writer hears about. We’re told not to drop it into...

Tactical Tuesday: Advice for Self-Editing

Recently, a friend asked me how an editor can tell that an author has found genuine “voice”? That’s a deep and profound question. I only wish I had a concrete answer. The truth is, I cannot speak for all editors, because editing, like critique, or a reader’s...
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